{"id":19831,"date":"2023-05-16T13:32:50","date_gmt":"2023-05-16T11:32:50","guid":{"rendered":"https:\/\/www.artistiinpiazza.com\/?page_id=19831"},"modified":"2026-06-08T09:51:24","modified_gmt":"2026-06-08T07:51:24","slug":"la-gabbia-della-fantasia-mostre-e-installazioni","status":"publish","type":"page","link":"https:\/\/www.artistiinpiazza.com\/en\/what\/la-gabbia-della-fantasia-mostre-e-installazioni\/","title":{"rendered":"La Gabbia della Fantasia | Mostre e installazioni"},"content":{"rendered":"[vc_row css=&#8221;.vc_custom_1653379752363{padding-bottom: 5px !important;}&#8221;][vc_column]\n<div id=\"rev_slider_4_1_wrapper\" class=\"rev_slider_wrapper fullwidthbanner-container\" data-source=\"gallery\" style=\"margin:0px auto;background:transparent;padding:0px;margin-top:0px;margin-bottom:0px;\">\n<!-- START REVOLUTION SLIDER 5.4.8 fullwidth mode -->\n\t<div id=\"rev_slider_4_1\" class=\"rev_slider fullwidthabanner\" style=\"display:none;\" data-version=\"5.4.8\">\n<ul>\t<!-- SLIDE  -->\n\t<li data-index=\"rs-498\" data-transition=\"fade\" data-slotamount=\"default\" data-hideafterloop=\"0\" data-hideslideonmobile=\"off\"  data-easein=\"default\" data-easeout=\"default\" data-masterspeed=\"300\"  data-rotate=\"0\"  data-saveperformance=\"off\"  data-title=\"Slide\" data-param1=\"\" data-param2=\"\" data-param3=\"\" data-param4=\"\" data-param5=\"\" data-param6=\"\" data-param7=\"\" data-param8=\"\" data-param9=\"\" data-param10=\"\" data-description=\"\">\n\t\t<!-- MAIN IMAGE -->\n\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artistiinpiazza.com\/aip\/wp-uploads\/2026\/05\/GABBIA.jpg\"  alt=\"\" title=\"Gabbia della Fantasia 2026\"  width=\"1920\" height=\"600\" data-bgposition=\"center center\" data-bgfit=\"cover\" data-bgrepeat=\"no-repeat\" class=\"rev-slidebg\" data-no-retina>\n\t\t<!-- LAYERS -->\n\t<\/li>\n<\/ul>\n<div class=\"tp-bannertimer tp-bottom\" style=\"visibility: hidden !important;\"><\/div>\t<\/div>\n<script>var htmlDiv = document.getElementById(\"rs-plugin-settings-inline-css\"); var htmlDivCss=\"\";\r\n\t\t\t\tif(htmlDiv) {\r\n\t\t\t\t\thtmlDiv.innerHTML = htmlDiv.innerHTML + htmlDivCss;\r\n\t\t\t\t}else{\r\n\t\t\t\t\tvar htmlDiv = document.createElement(\"div\");\r\n\t\t\t\t\thtmlDiv.innerHTML = \"<style>\" + htmlDivCss + \"<\/style>\";\r\n\t\t\t\t\tdocument.getElementsByTagName(\"head\")[0].appendChild(htmlDiv.childNodes[0]);\r\n\t\t\t\t}\r\n\t\t\t<\/script>\n\t\t<script type=\"text\/javascript\">\r\nif (setREVStartSize!==undefined) setREVStartSize(\r\n\t{c: '#rev_slider_4_1', responsiveLevels: [1240,1240,778,480], gridwidth: [1920,1920,1920,480], gridheight: [600,600,600,300], sliderLayout: 'fullwidth'});\r\n\t\t\t\r\nvar revapi4,\r\n\ttpj;\t\r\n(function() {\t\t\t\r\n\tif (!\/loaded|interactive|complete\/.test(document.readyState)) document.addEventListener(\"DOMContentLoaded\",onLoad); else onLoad();\t\r\n\tfunction onLoad() {\t\t\t\t\r\n\t\tif (tpj===undefined) { tpj = jQuery; if(\"off\" == \"on\") tpj.noConflict();}\r\n\tif(tpj(\"#rev_slider_4_1\").revolution == undefined){\n\t\trevslider_showDoubleJqueryError(\"#rev_slider_4_1\");\n\t}else{\n\t\trevapi4 = tpj(\"#rev_slider_4_1\").show().revolution({\n\t\t\tsliderType:\"hero\",\n\t\t\tjsFileLocation:\"\/\/www.artistiinpiazza.com\/aip\/wp-content\/plugins\/revslider\/public\/assets\/js\/\",\n\t\t\tsliderLayout:\"fullwidth\",\n\t\t\tdottedOverlay:\"none\",\n\t\t\tdelay:9000,\n\t\t\tresponsiveLevels:[1240,1240,778,480],\n\t\t\tvisibilityLevels:[1240,1240,778,480],\n\t\t\tgridwidth:[1920,1920,1920,480],\n\t\t\tgridheight:[600,600,600,300],\n\t\t\tlazyType:\"none\",\n\t\t\tshadow:0,\n\t\t\tspinner:\"spinner0\",\n\t\t\tautoHeight:\"on\",\n\t\t\tdisableProgressBar:\"on\",\n\t\t\thideThumbsOnMobile:\"off\",\n\t\t\thideSliderAtLimit:0,\n\t\t\thideCaptionAtLimit:0,\n\t\t\thideAllCaptionAtLilmit:0,\n\t\t\tdebugMode:false,\n\t\t\tfallbacks: {\n\t\t\t\tsimplifyAll:\"off\",\n\t\t\t\tdisableFocusListener:false,\n\t\t\t}\n\t\t});\n\t}; \/* END OF revapi call *\/\n\t\n }; \/* END OF ON LOAD FUNCTION *\/\r\n}()); \/* END OF WRAPPING FUNCTION *\/\r\n<\/script>\r\n\t\t<\/div><!-- END REVOLUTION SLIDER -->[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"title-outer  \" style=\"border-bottom: none;\"><h3 style=\"border-bottom-color:#000000; text-transform: none;font-size: 25px; line-height: 37px;\">Edition 2026<\/h3><\/div>[\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393082626{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>La fatica di vivere. Il circo e gli acrobati di Ilario Fioravanti<\/h2>\n<h3>curated by Pietro Dani, Cinzia Dori, Diletta Tosi and Kristl Scheerlinck for Associazione Culturale Pennabilli Antiquariato, in collaboration with Associazione Culturale Ultimo Punto \/ Artisti in Piazza and Casa dell\u2019Upupa<\/h3>\n<p data-start=\"383\" data-end=\"468\"><strong data-start=\"383\" data-end=\"424\">art exhibition \u2022 Palazzo del Bargello (p. 8)<\/strong><br data-start=\"424\" data-end=\"427\" \/><em><strong data-start=\"427\" data-end=\"468\">Preview: Sunday, 7 June 2026, 6.00 pm<\/strong><\/em><\/p>\n<p data-start=\"470\" data-end=\"653\">The circus, populated by its tumblers, jugglers and acrobats, is a liminal space, suspended between lightness and melancholy, a metaphorical stage for the complex nature of humankind.<\/p>\n<p data-start=\"655\" data-end=\"1080\">This is the creative obsession of the sculptor, painter and architect Ilario Fioravanti, brought to life inside the historic Palazzo del Bargello in Pennabilli, whose rough stone walls are able to embrace the atmosphere that can only arise within the circus: a material air made of fragile balances and uncertainties, capable of stripping the human being of the garments worn to protect themselves from the gaze of the world.<\/p>\n<p data-start=\"1082\" data-end=\"1337\">On the faces shaped by Fioravanti\u2019s hands is portrayed the human suffering of those who, through their gestures, enchant the spectator, building for them an abstract place of fascination while concealing in their eyes the burden of the hardship of living.<\/p>\n<p data-start=\"1339\" data-end=\"1571\">The polychrome terracotta figures, the many drawings and the notes left by the artist in his notebooks are the result of a continuous investigation, in which the stillness of the bodies retains the memory of an energy in the making.<\/p>\n<p data-start=\"1573\" data-end=\"1669\">Yet it is precisely from this energy that the wonder and astonishment can be continually reborn.<\/p>\n<p data-start=\"1671\" data-end=\"1778\"><strong data-start=\"1671\" data-end=\"1715\">Special opening during Artisti in Piazza<\/strong><br data-start=\"1715\" data-end=\"1718\" \/>11\u201314 June 2026<br data-start=\"1737\" data-end=\"1740\" \/>10.00 am\u20131.00 pm | 2.00 pm\u20137.00 pm<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38270&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393110812{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393082626{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Mr. AIP<\/h2>\n<h3><strong>curated by Andrea Riva with the collaboration of the Staff<\/strong><\/h3>\n<p><strong>site-wide installation telling the story of 30 years of the Festival \u2022 Places to discover around the village of Pennabilli<\/strong><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;<\/span><\/i><span style=\"font-weight: 400;\">Dear friend, in the corners of Pennabilli you will find the pages of a diary written for me \u2014 or rather, FOR YOU.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Lift your eyes as you walk, while everything around you is dancing. Look around, look up, and discover the long journey of Artisti in Piazza. You will find thirty versions of me. I will be hanging there, watching. You will catch aspects, objects and colours that have shaped my gaze on each edition of the Festival. Nearby, there will be the diary where you can read what I have to tell you. Share it, if you wish \u2014 with someone, on social media, with a tag. Take a photo of it. Or keep it for yourself. Read those thoughts and then go on, keep walking, go and dance. They will still weave a long thread. Or simply let them go. There are thirty years to retrace, but many more still to build.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We are embers.<br \/>\n<\/span><span style=\"font-weight: 400;\">We keep alive what the present would like to extinguish&#8221;.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Texts by Lorenzo Lunadei<br \/>\n<\/span><span style=\"font-weight: 400;\">With contributions from: <\/span><span style=\"font-weight: 400;\">Arlene, Lu, Tete, Fabi, Marta, Humbe, Lucone, Giulia, Ines, Eva, Lorenzo, Gogo, Francesco, Sofia, Enrico, Lia, Vittoria, Monica, Kati, Giulia, Martina, Manu, Maya, Juri, Susi, Ulisse, Francesca, Nico, Andrea, Sir, Lucrezia, Giacinta, Patton, Giada, Marghe, Dimi, Tino, Luca, Zizi, Uli, Franci, Ded\u00e8, Richi, Geremia<br \/>\n<\/span><span style=\"font-weight: 400;\">Material recovery: Federica and Valentina<\/span>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38277&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393110812{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393082626{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Prima-V-Era<\/h2>\n<h3><strong>by Luca Faranfa<\/strong><\/h3>\n<p data-start=\"73\" data-end=\"138\"><strong data-start=\"73\" data-end=\"138\">photographic exhibition \u2022 Grottino del Teatro Vittoria (p. 6)<\/strong><\/p>\n<p data-start=\"140\" data-end=\"212\"><strong data-start=\"140\" data-end=\"155\">Prima-V-Era<\/strong> is a project about coexistence between the eye and life.<\/p>\n<p data-start=\"214\" data-end=\"379\">Luca (the photographer), Federica, Federico and Matteo (<em data-start=\"270\" data-end=\"284\">Orto in Giro<\/em>, the farmers) meet and come to know each other again at the end of winter, just before spring.<\/p>\n<p data-start=\"381\" data-end=\"777\">Luca arrives in Gallano (Valtopina, Umbria) in February 2024, looking for a farming reality he can tell the story of. From that moment on, for an entire year, through the changing seasons, Luca visits the inhabited hill and the cultivated little valley whenever he can. After work or early in the morning, at weekends and even late at night, he remains curious about the many forms life can take.<\/p>\n<p data-start=\"779\" data-end=\"922\">A relationship takes shape and opens up, leaving room for the authenticity of gestures and gazes, which gradually unfold and reveal themselves.<\/p>\n<p data-start=\"924\" data-end=\"1218\">In this way, the story of a farming reality working on the margins is told \u2014 on the margins not only of a territory, but also of an economic system that has led to the industrialisation of production and distribution, favouring monoculture and varietal selection at the expense of biodiversity.<\/p>\n<p data-start=\"1220\" data-end=\"1308\">This is how landscapes are created that can be repeated anywhere, becoming \u201cnon-places\u201d.<\/p>\n<p data-start=\"1310\" data-end=\"1440\">Agricultural realities working on the margins are the custodians of an environment that is special precisely because it is unique.<\/p>\n<p data-start=\"1442\" data-end=\"1693\">For more than ten years, in the small valley of the Saletto stream, <em data-start=\"1510\" data-end=\"1524\">Orto in Giro<\/em> has been growing fresh seasonal vegetables, ancient grains and legumes, which are distributed through a short supply chain to the people living in the surrounding area.<\/p>\n<p data-start=\"1695\" data-end=\"1876\">There is also an apiary, a processing workshop, and the <em data-start=\"1751\" data-end=\"1784\">Casa dei Semi della Valle Umbra<\/em>, where seeds from ancient local varieties are recovered \u2014 vegetable seeds and more besides.<\/p>\n<p data-start=\"1878\" data-end=\"2058\">Since 2017, the garden has also been worked with the help of Liberata and Olivia, two mares of an ancient Italian draught breed (TPR), who as foals had been destined for slaughter.<\/p>\n<p data-start=\"2060\" data-end=\"2229\">Luca tells a small part of this story. He tells it from a different angle: one might say that he captures its hidden reflection, rather than what appears on the surface.<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38243&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_single_image image=&#8221;38245&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393110812{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393101128{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Disconnessi<\/h2>\n<h3><strong>by Alessandro Ceccarelli<\/strong><\/h3>\n<h4><strong data-start=\"73\" data-end=\"138\">photographic exhibition \u2022 Grottino del Teatro Vittoria (p. 6)<\/strong><\/h4>\n<p data-start=\"69\" data-end=\"272\"><em>Disconnected<\/em> is a photographic journey exploring the transformation of our society: how people reshape their lived experience \u2014 from posture to behaviour \u2014 through the constant use of mobile devices.<\/p>\n<p data-start=\"274\" data-end=\"583\">Bent faces, distracted eyes, interrupted gestures: each image is an invitation to stop and truly observe. We are living through a deep and silent transformation, in which the very shape of our lives is being moulded around social networks and the algorithms that study our every interaction, habit and choice.<\/p>\n<p data-start=\"585\" data-end=\"1091\">Pasolini had already sensed it: he spoke of a new \u201cdemocratic regime\u201d, or perhaps a new form of fascism, which, through consumer society and cultural homogenisation, would overwhelm every form of individuality.<br data-start=\"795\" data-end=\"798\" \/>Today, that prediction has taken the form of a technology that resembles us, yet has surpassed us. A technology that feeds on dopamine and the desire for approval, where likes and views shape our sense of belonging and alter our relationships, our psyche, and our very perception of the world.<\/p>\n<p data-start=\"1093\" data-end=\"1492\">We are caught in a form of modern slavery capable of making the betrayal of a pair of lovers go viral across the world, while at the same time normalising the sight of children beneath rubble in between a post, a story of a sunset, and an aperitif selfie. We have become compulsive consumers of content, objects and experiences, disconnected from the present, from our essence, and from one another.<\/p>\n<p data-start=\"1494\" data-end=\"1572\">Each touch of the screen takes us a little further away from tangible reality.<\/p>\n<p data-start=\"1574\" data-end=\"1615\">To stop. Now and then. Whenever possible.<\/p>\n<p data-start=\"1617\" data-end=\"1777\">To look around us, to meet each other\u2019s eyes again, to truly listen to those close to us. To avoid letting virtual connection take the place of real connection.<\/p>\n<p data-start=\"1779\" data-end=\"1983\">What is needed is a critical, conscious \u2014 almost resistant \u2014 use of these tools that carry us into an \u201cother\u201d world, so that we may learn to defend ourselves from what, every day, we place in our pockets.<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38234&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_single_image image=&#8221;38232&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393224712{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393120562{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>&#8220;Buttas\u00f9 in Piazza&#8221;, un nome e una mostra nati per gioco<\/h2>\n<h3><strong>curated by Patton, aka Fraternali Patrizio<\/strong><\/h3>\n<p><strong>comic exhibition \u2022 Museo Orazio in Tibet (Via San Rocco, 17)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">11 \u2022 12 \u2022 13 \u2022 14 June | Opening hours 10.00 am\u201312.30 pm \/ 2.00 pm\u20137.00 pm \u2013 the Museum is open for guided tours at the same times<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>Preview: Sunday, 7 June 2026, 6.30 pm<\/p>\n<p><span style=\"font-weight: 400;\">&#8220;The name was born many years ago, when Enrico and I were trying to describe Pennabilli\u2019s square <\/span><span style=\"font-weight: 400;\">during the festival: in simple words, an indescribable kind of \u2018crazy mess\u2019 typical of the days of Artisti in Piazza.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Buttas\u00f9 is a term that does not exist in Italian, but where we come from it conveys the idea perfectly! <\/span><span style=\"font-weight: 400;\">The exhibition was born almost as a joke, on Lucia\u2019s request, when she laughingly asked me for <\/span><span style=\"font-weight: 400;\">a strip dedicated to the festival; and so, without her knowing \u2014 she probably did not even <\/span><span style=\"font-weight: 400;\">remember asking \u2014 I made one strip, followed by a second strip, then <\/span><span style=\"font-weight: 400;\">a third&#8230; a fourth&#8230; and this is the result! A tiny little exhibition&#8230; little&#8230; little!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I am Patton, aka Fraternali Patrizio. <\/span><span style=\"font-weight: 400;\">A friend of the fantastic Festival of Pennabilli. <\/span><span style=\"font-weight: 400;\">I am not from Pennabilli, although I am often in Pennabilli. <\/span><span style=\"font-weight: 400;\">In Pennabilli I have many wonderful friends. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">And do you know why I often come to Pennabilli? <\/span><span style=\"font-weight: 400;\">Because it feels good to be in Pennabilli! <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Because in Pennabilli&#8230; <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Well! To understand it, you have to come to Pennabilli too! <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I do not quite know how to explain it&#8230; but maybe I do&#8230; come and visit my little exhibition in Pennabilli!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Maybe you will understand it too!&#8221;.<\/span>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38275&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393224712{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393120562{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>SONORIA VEGETARIA: an ear for listening to the landscape<\/h2>\n<h3>Land art work by Ars Ruralis with the sound installation \u201cSonoria Remix\u201d by Emiliano Battistini<br \/>\n<strong>in collaboration with Parco Sasso Simone e Simoncello<\/strong><\/h3>\n<p><strong>land art with sound installation \u2022 Giardino di Fra (p. 19d)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">A large organism woven from living branches emerges from the landscape like an ancient and imaginary presence, a form that evokes at once a shell, a shelter, and an ear listening.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The sculpture \u201cVegetaria\u201d (vegetal community experience), created by Ars Ruralis in 2024 through a participatory process involving the local community, is now renewed and enriched by a new architectural element that amplifies its vocation: to become a sounding board for the sounds of the territory.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Inside it comes to life \u201cSonoria Remix\u201d, a sound installation that gathers and reworks recordings made through the project \u201cSonoria\u201d during two years of exploration across the woods, grasslands, villages and plateaus of Parco Sasso Simone e Simoncello. Birdsong and frog calls, wind through the trees, bells, tractors and voices from the valley are woven together into an immersive composition that conveys the sonic richness of the landscape.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A place to move through slowly, where one may stop for a few minutes and discover that every territory holds its own music, made of nature, work, memory and human presence.<\/span>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38291&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393224712{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393120562{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>EXPO sculture in movimento<\/h2>\n<p><strong>curated by Girovago e Rondella<\/strong><strong> \u2022 Piazza Montefeltro (p. 21c)<\/strong><\/p>\n<p dir=\"ltr\">A collection of automated puppets from the 5 continents, 7 small theatres, 7 distant places brought into relation through a journey inside the cloister-museum. Upon crossing its threshold, the audience finds itself immersed in the subtle and phantasmagorical world of animated figures, an abyssal and magnificent place for which, for a moment, they are given the keys of access. Somewhere between exhibition and performance, the cloister invites the audience into an initiation to the ancient and astonishing world of animated figures.<\/p>\n<p dir=\"ltr\"><em>Recommended age: 3+. Opening hours for the exhibition will be announced on site (p. 21C).<\/em><\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38294&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221;][vc_column][vc_empty_space height=&#8221;1px&#8221; css=&#8221;.vc_custom_1780393224712{background-color: #000000 !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393120562{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Tenere<\/h2>\n<h3><strong>by Placebo Collective<\/strong><\/h3>\n<h4>Site-specifi installation by <strong>Gianmaria Battafarano<\/strong> \u2022 <strong>Torrigino, Pennabilli<\/strong><\/h4>\n<p data-start=\"81\" data-end=\"326\">There has always been something urgent about the bedsheet. A companion to sleep and illness, a witness to birth and death, perhaps the most everyday object there is; and yet, in certain moments, capable of turning into a rope, a flag, an escape.<\/p>\n<p data-start=\"328\" data-end=\"822\">With this site-specific intervention on the tower of Pennabilli, Gianmaria Battafarano performs a gesture that is both simple and radical. The bedsheets \u2014 reclaimed, lived-in, donated by the community of Pennabilli \u2014 wrap around the tower\u2019s circumference, slip through its windows, and descend along the rock face toward the ravine below. The existing architecture becomes a score: the openings in the stone are already natural passages, the vertical profile of the site is already a narrative.<\/p>\n<p data-start=\"824\" data-end=\"1200\">The chosen material is not neutral. The bedsheet belongs to everyone, from beginning to end: it wraps us when we come into the world, and covers us when we leave it. To use it as a sculptural element means bringing into art an object that has never ceased to be linked to the body, to care, to intimacy. Knotted, it becomes structure. Lowered into the void, it becomes desire.<\/p>\n<p data-start=\"1202\" data-end=\"1653\">Verticality is the true protagonist. From the top of the tower, the bedsheets fall in drapes that mark the rhythm of the windows. They are tails, they are hair, they are Rapunzel\u2019s rope falling into the darkness of the ditch below. We do not know whether someone is climbing up or climbing down. We do not know whether this is an escape or a waiting. The gesture remains open, just as the materials are open, just as the surrounding landscape is open.<\/p>\n<p data-start=\"1655\" data-end=\"1805\">The tower does not merely undergo the intervention; rather, it hosts it, and in doing so, it reminds us that it has always already been a work of art.<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;38229&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1780393269245{background-color: #000000 !important;}&#8221;][vc_column][vc_empty_space height=&#8221;2px&#8221; css=&#8221;.vc_custom_1747238178021{background-color: #f08066 !important;}&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1779799684026{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>LA FATICA DI VIVERE. Il circo e gli acrobati di Ilario Fioravanti<\/h2>\n<h4>a cura di<br \/>\npromossa da Ass.\u00a0culturale Pennabilli Antiquariato, Ass. Culturale Ultimo Punto, Fondazione Casa dell&#8217;Upupa \u2013 Sorrivoli<\/h4>\n<h4>Art exhibition \u2022 <strong>Palazzo del Bargello\u00a0<\/strong><\/h4>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;21937&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221; disable_element=&#8221;yes&#8221;][vc_column][vc_empty_space height=&#8221;4px&#8221; css=&#8221;.vc_custom_1527870754903{background-color: #048db4 !important;}&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1747238161348{border-top-width: 1px !important;padding-top: 10% !important;padding-bottom: 5% !important;border-top-color: #048db4 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Vintage photo with darkroom<\/h2>\n<h3><strong>by Fioravanti Tiziano\u00a0<\/strong><\/h3>\n<h4>Itinerant<\/h4>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;27858&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1716390759578{border-top-width: 1px !important;padding-top: 10% !important;padding-bottom: 5% !important;border-top-color: #048db4 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2><strong>Antica Ebanisteria<\/strong><\/h2>\n<h3>di Juri Montanari<\/h3>\n<h4>Theater Vittoria, foyer<\/h4>\n<p>Verucchio&#8217;s ancient Ebanisteria Montanari has more than 80 years of experience. Juri Montanari is presenting in Pennabilli his niche craftsmanship based on Renaissance marquetry: an ancient technique, dating back to the Middle Ages, that had its heyday between the 1400s and the first half of the 1500s and that today, in Italy, only very few are able to practice.<\/p>\n<p><strong>Juri Montanari<\/strong><br \/>\n<a href=\"mailto:ebanisteriamontanari@libero.it\" target=\"_blank\" rel=\"noopener\">ebanisteriamontanari@libero.it<\/a><br \/>\n0541 679524 \/ 333 7787012[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;13168&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221; disable_element=&#8221;yes&#8221;][vc_column][vc_empty_space height=&#8221;4px&#8221; css=&#8221;.vc_custom_1527870754903{background-color: #048db4 !important;}&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1716390765110{border-top-width: 1px !important;padding-top: 10% !important;padding-bottom: 5% !important;border-top-color: #048db4 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\n<h2>Exhibition of leather masks<\/h2>\n<h3>FaMaschere<\/h3>\n<h4>Foyer del Teatro Vittorio<\/h4>\n<p class=\"aLF-aPX-K0-aPE\">Out of the theatrical need to be able to work under a mask, there arose the desire and quest to create one of one&#8217;s own that could be used on stage. The leather work is done through natural tools such as branches and wood knots, waxes with colored pigments, etc&#8230; The characters of the masks can be accentuated by various and different details, such as captains&#8217; hats, tufts or bells. Federico Gargagnano and Alessandra Ceccarelli bring an exhibition of their works to Pennabilli.<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;21940&#8243; img_size=&#8221;large&#8221; alignment=&#8221;right&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row layout=&#8221;wide&#8221; disable_element=&#8221;yes&#8221;][vc_column][vc_empty_space height=&#8221;4px&#8221; css=&#8221;.vc_custom_1527870754903{background-color: #048db4 !important;}&#8221;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1653379752363{padding-bottom: 5px !important;}&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1780393082626{padding-top: 10% !important;padding-bottom: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] La fatica di vivere. Il circo e gli acrobati di Ilario Fioravanti curated by Pietro Dani, Cinzia Dori, Diletta Tosi and Kristl Scheerlinck for Associazione Culturale Pennabilli Antiquariato, in collaboration with Associazione Culturale Ultimo Punto \/ Artisti in Piazza and Casa dell\u2019Upupa art exhibition \u2022 [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"parent":3939,"menu_order":90,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"footnotes":""},"class_list":["post-19831","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/pages\/19831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/comments?post=19831"}],"version-history":[{"count":39,"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/pages\/19831\/revisions"}],"predecessor-version":[{"id":38296,"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/pages\/19831\/revisions\/38296"}],"up":[{"embeddable":true,"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/pages\/3939"}],"wp:attachment":[{"href":"https:\/\/www.artistiinpiazza.com\/en\/wp-json\/wp\/v2\/media?parent=19831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}